Hindi movie The dirty picture, online trailer and review
If there is any justice in this world, The Dirty Picture will for what Vidya Balan is Robert DeNiro for Raging Bull. Balan owns it seems completely collapse under its own facade each time it is off the screen, which fortunately is not much of this film. The Dirty Picture is one of the best mainstream Hindi movies of 2011 and supersedes round performance Balan Priyanka Chopra in 7 Khoon Maaf as the dramatic representation of small groups of the year. Sale is when the image of his game, the lights of film to an audience like few I've seen, however, it drops intermittently in melodramatic soap opera, which prevents it from being a truly great film, leaving in the area of just very good.
The story of a country girl break the chains that bind him to his rural education and the pursuit of success on the big screen is not new. It is said many times in Hollywood, however, this story played real in the film industries of South India in the 1980s with real life Silk Smitha. Tragic tale cleverly illustrates silk Director Milan Luthria, who is struggling with an uneven script Rajat Arora. The rise of the siren of the big screen is almost as meteoric as his sudden fall from grace. The dichotomy could probably have been handled better, but the film chooses to answer the most common ways.
The first half of the film shows the race of silk away from home and began his career as the sexiest and raunchiest girls of the element. The pre-intermission arc provides plenty of laughs and generates a lot of goodwill towards the silk commoner as she analyzes through the mud to land on top of the heap. Help and sometimes hurt, its rise is Naseeruddin Shah as Surya, the hero of Indian cinema in the south of the aging of the left one place on earth where the idea of an anti-hero has not yet taken on. Yet for all its franchise on the screen, it is kind of a creep in real life. However, the relationship both on and off the screen, with silk provides for some of the finest screen moments for both of them. Shah is a brilliant actor, and while it is here to ridicule in general a certain style of theater and film, it never tips his hand.
Vidya Balan transformation of the Country Girl Reshma sex bomb Silk is certainly noteworthy. In the first half of the film, she proves that she is desperate to become a star, to the dismay of a director with international ambitions, played by Emraan Hashmi. Rises as silk, Abraham Hashmi plots of his fall, and in the second half of the film, we see his plans begin to gel. The film takes a dark turn as silk turns to drink and lets his ego get the better of her. Everything about her pride out of control leads to one of the best songs in the movie as a dance off with the new flavor of the week at a party, it's all downhill from there.
If there is any justice in this world, The Dirty Picture will for what Vidya Balan is Robert DeNiro for Raging Bull. Balan owns it seems completely collapse under its own facade each time it is off the screen, which fortunately is not much of this film. The Dirty Picture is one of the best mainstream Hindi movies of 2011 and supersedes round performance Balan Priyanka Chopra in 7 Khoon Maaf as the dramatic representation of small groups of the year. Sale is when the image of his game, the lights of film to an audience like few I've seen, however, it drops intermittently in melodramatic soap opera, which prevents it from being a truly great film, leaving in the area of just very good.
The story of a country girl break the chains that bind him to his rural education and the pursuit of success on the big screen is not new. It is said many times in Hollywood, however, this story played real in the film industries of South India in the 1980s with real life Silk Smitha. Tragic tale cleverly illustrates silk Director Milan Luthria, who is struggling with an uneven script Rajat Arora. The rise of the siren of the big screen is almost as meteoric as his sudden fall from grace. The dichotomy could probably have been handled better, but the film chooses to answer the most common ways.
The first half of the film shows the race of silk away from home and began his career as the sexiest and raunchiest girls of the element. The pre-intermission arc provides plenty of laughs and generates a lot of goodwill towards the silk commoner as she analyzes through the mud to land on top of the heap. Help and sometimes hurt, its rise is Naseeruddin Shah as Surya, the hero of Indian cinema in the south of the aging of the left one place on earth where the idea of an anti-hero has not yet taken on. Yet for all its franchise on the screen, it is kind of a creep in real life. However, the relationship both on and off the screen, with silk provides for some of the finest screen moments for both of them. Shah is a brilliant actor, and while it is here to ridicule in general a certain style of theater and film, it never tips his hand.
Vidya Balan transformation of the Country Girl Reshma sex bomb Silk is certainly noteworthy. In the first half of the film, she proves that she is desperate to become a star, to the dismay of a director with international ambitions, played by Emraan Hashmi. Rises as silk, Abraham Hashmi plots of his fall, and in the second half of the film, we see his plans begin to gel. The film takes a dark turn as silk turns to drink and lets his ego get the better of her. Everything about her pride out of control leads to one of the best songs in the movie as a dance off with the new flavor of the week at a party, it's all downhill from there.
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